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Audio Bullys. The Voice of London's Streets

Интервью · 14.09.2005

By Iovik

Audio Bullys members Simon Franks and Tom Dinsdale believe that modern pop music is too detached from real life. It was precisely in order to voice the problems and concerns of the millions of young inhabitants of the big cities that they took up music. Their mix of hip-hop with a fairly hard beat quickly became popular, and Audio Bullys were slapped with the label of creators of a new style, hooligan house. In the run-up to Creamfields Russia, 44100 managed to have a phone chat with Tom:

You grew up in the same neighbourhood and went to the same school. Tell us about that period. Were you hooligans, did you fight each other?

Ha-ha. We met in high school over music and being music lovers, and then we studied together at college, so we didn't fight. And we weren't hooligans either — far more than all the hanging out with shaved-headed lads, what fascinated us was making music.

Nevertheless, Audio Bullys are considered the founders of so-called hooligan house — dance music for ordinary blokes, lads who are annoyed by the dressed-up trappings of glamorous clubs.

Yeah, I suppose that's how it is. But we didn't do it deliberately. This street culture is simply close to us ourselves. Maybe it doesn't look as attractive as glamour, but there's a lot in it of what you'd call the truth of life.

I'm curious — did you start out as DJs or as musicians?

As DJs. When we were starting out, it was incredibly fashionable. Perhaps now everything would be different.

And what was the first bit of gear you had?

Technics 1200s

Hmm, you're a lucky one. I've talked with a lot of famous DJs and many of them started out making mixes on their mum's stereo.

That's true. I was lucky. But I got into DJing at a fairly mature age, when a bit of money started coming in.

I've already listened to your new album. So the main revelation for me is that, apart from “My Baby Shoot Me Down”, which has literally taken over the radio airwaves, there aren't really any club tracks on it.

That's right, we're trying to make more songs now. I'll tell you honestly, I don't much like what's happening in clubs at the moment, and it seems to me that the life is gradually draining out of them. So making club bangers, in my view, is fairly pointless.

About “My Baby Shoot Me Down” — what inspired the remake, love for the classic version or the soundtrack to the film Kill Bill?

Let's put it this way. I always liked that song. It has wonderful lyrics, and my favourite version of it is actually sung in French. And when we heard the Kill Bill soundtrack, we realised the cover had to be done either now or never.

So, do you like football?

Not particularly. I watch it on TV sometimes, but I don't go to the stadiums..

Do you support anyone?

Not really anyone in particular either. As a kid I supported Chelsea.

Chelsea, then. Well, you can probably guess what the next question is going to be. What do you think about Abramovich and his buying Chelsea?

Actually, it's not that I think all that much about it. But I reckon Chelsea is now your team, a Russian team. The money is Russian, expensive foreign players are bought with it, they win the championship. So you should be proud of them.

An interesting point of view. Audio Bullys have already been to Russia. Rumour has it you had a pretty good time in Moscow and got to meet some Russian girls. True?

Well, not entirely true. We were only in Moscow for one night. So there was no time to do anything special, and we didn't really get to see or make sense of much. And I don't really have much to say about Moscow.

And what do you think about the event itself (Nokia Lab)? Did you like it?

Yeah, quite. But in general I much prefer open-air events like Creamfields. I think this time everything is going to be much cooler.

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