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Disco, Disco and Disco Again!

Интервью · 29.04.2008

By 44100Hz

On 9 May 2008, at the venue everyone still calls Arma 17, an event will take place that every self-respecting lover of dance music and club life always looks forward to. Once again, but no less eagerly awaited, one of the biggest stars in the Techno constellation is coming to our city — the inimitable Sven Vaeth, one of the founding fathers of techno music, owner of the cult label Cocoon and of the plush club of the same name in Frankfurt, Germany, and simply an incredibly charismatic personality. On the eve of this performance we got in touch with Sven, who is one of our very favourite DJs, and asked him a few questions.

Right now you're touring the world, and in five months you've performed almost 50 times. Don't you think that's a bit much for a normal person? How do you withstand such a schedule and how do you shake off fatigue and tension?

Over 25 years of a DJ career I've done more than ten world tours, so I've long been used to this sort of thing. Although it really is very exhausting, my eternal engine is my passion for music. The main thing is not to let yourself get distracted from the work and to look after yourself. To relieve tension and rest, healthy food, sport, visits to the sauna and massage help a great deal.

When you're on tour, do you play similar sets, or, despite the limited amount of music, do you still try to vary them? How do you manage that?

My musical choice on tour is, of course, limited to my two crates of records. Together they hold about 180 records. That's enough for a set 12 hours long. But my sets always differ from one another, depending on the required length of the set. The music the DJ before you played also plays a huge role in the choice of music. Actually, I like to play alone all night, but unfortunately that's not always possible. My set is born in the process of playing; my strong point is the ability to improvise. On top of that, at every party the crowd on the dance floor gives off different energy. But on the other hand, the main thing always stays the same: in the end, my goal is the best thing in the world — dancing to music!

What associations do you have with Moscow? Did you manage to have a proper good time here when you came before?

What associations? Fur hats, of course, golden domes, huge snowdrifts, very difficult literature, bear meat, the Bolshoi Ballet… Unbelievably rich oligarchs, beautiful women and a huge appetite for luxury. It's a city that lives large. I'm very glad that a good electronic scene has taken shape in Moscow. Volodya Trapeznikov is a wonderful promoter, one of the best, and he has done a great deal to help develop the scene. I've always had a great time in Moscow, and I can't wait for my party.

Do you know that the day of your performance in Moscow — 9 May — is Victory Day? Does that mean anything to you personally?

Personally for me — I don't think so, but in general it's very intriguing to be in Russia on this particular day and to celebrate Victory Day together with the Russians.

What expectations do you have for the Cocoon party in Moscow? How do you intend to surprise the Moscow crowd?

I haven't been to Moscow for two years now, and the main thing I'd like to see is how the dance scene has changed over these two years. And as for surprising, I suppose I can surprise people with myself and my music. Cocoon — that is, a cocoon — is essentially a metamorphosis, and metamorphoses are always an amazing phenomenon!

Your summer parties on Ibiza have a space-invaders theme. This year Joachim Garraud also used an alien theme at his parties. Don't you think that's a few too many space aliens for a small island like Ibiza?

Well, with us it's all clear: we're guys from the planet Techno Minimal Disco Funk and we bring the highest cosmic groove to Earth to save the planet. After all, music unites us all, and everything we bring you comes from the very depths of our hearts! And besides, it's not for nothing that every year clubbers from all over the world come to the White Island to celebrate together the ritual of Cocoon — love!

From your point of view as a club owner, tell us, what distinguishes a good club from a bad one? Which five clubs make up your personal chart of the best clubs in the world?

It's all very simple here: a good club is one where the owners do everything with a pure heart, and a bad one is where they don't. My favourite clubs are Cocoon in Frankfurt, Robert Johnson — also in Frankfurt, Womb in Tokyo, Watergate in Berlin and Amnesia on Ibiza.

Where, in your opinion, do people take the dance scene and club culture most seriously? In which city, or club, are you most comfortable?

It seems to me that we in Germany take dance music the most seriously. Perhaps that's because in our country electronic music has existed at a professional level since the '60s, and over the last 20 years the greatest amount of dance electronica has been made precisely in Germany. A very interesting culture of labels, artists, music magazines and clubs has developed here, and Frankfurt and Berlin are probably the main wellsprings of this culture.

If you had to put together a set of songs released before 1980, which tracks would you choose for it?

Disco, Disco and Disco again!!!

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