Skip to content
Auto-translated by 44100Hz. Read the Russian original →

Italian Techno King Marco Carola

Интервью · 22.06.2006

By 44100Hz

The name of Marco Carola is associated with the birth of the mid-90s Italian techno wave and the emergence of such stars as Gaetek and Random Noize. His 2001 album Open System influenced the global techno movement and is named among the key techno albums of the decade. Ahead of the Italian techno star's Moscow appearance at the club Gorod, we talked with Marco about his music.

You're from Naples, and we have a very vivid image of Naples - all those Neapolitan songs like "Santa Lucia", the landscapes of the 19th-century Russian painter Sylvester Shchedrin and so on. You get the impression that Naples is not a techno city at all (unlike, say, Detroit). On the whole Italy seems like a country of disco house.

Strange as it may seem, Naples is in fact the Italian capital of techno. Just as it was many years ago, when it comes to music this city always has been and remains one step ahead of the rest of the country.

Tell us how you moved from house to techno? Who pushed you towards it?

It was a natural step. I didn't like the "light" sound, and I was looking for some kind of alternative. Travelling and the search for new music helped me with that.

What's happening now with your label Design Music? Has it closed down?

The Design Music label is in the past, like many of my early projects. Music changes. I always try to create something new, something that reflects me 100%.

The word "design" has many meanings. What did you have in mind?

I always meant technical design, a project, an experiment. Design Music was the first Neapolitan label, and I really had no idea where it would lead.

In releasing music on your label "1000 Imprint", you used fairly original techniques. Richie Hawtin does something similar (the "Concept 1" project). How do these methods affect the perception of the music on the dancefloor? Or is it rather a way to attract journalists and heads of record companies?

It's always been hard for me to know who my message reaches, and above all how it's received. Selecting music for a party and going round the clubs are different things. Many people simply want to have fun, to dance to good music. It matters to them not at all how fresh the track the DJ is playing is. And I think projects like "1000 Imprint", "Concept 1" and others are addressed to those who really follow the scene. These people play a very important role, spreading new, interesting music in their city or country, even just by discussing it!

And one more question about "1000 Imprint": is the label's core idea the cult of originality, of uniqueness, that's characteristic of dance culture? But don't you think that uniqueness today is a necessity?

I had many reasons to launch this label. I was very young, full of unrealised ideas and a strong desire to become known beyond Naples. The limited format turned out to be the right decision. Just right for the people who needed it.

Techno as a musical style has always been totalitarian. And for you, is techno a fascist aesthetic or something humanistic?

For me techno is everything: a way of thinking, a style of dress and much more. But everyone understands it in their own way! The word techno is taken from the sphere of the technology of industrial and post-industrial society, and the music is a way for a generation to express itself. Like it or not, you're part of a free techno generation with open views on life and without borders.

What do you expect from your trip to Russia? Do you know anything about our country's club culture?

I know a little about Russia. I once played at Mayday in St. Petersburg, but I think that's different. I'm going to the country without expecting anything special, I just hope people will have a good time with me. And I'm more than sure that you'll hear something new and thrilling!

24 June, Saturday, club Gorod, special guest Marco Carola

Similar