Skip to content
Auto-translated by 44100Hz. Read the Russian original →

The International Distress Signal

Интервью · 19.05.2008

By Булат Шарипов

Mayday - the international distress signal, adopted in radiotelephone communication. It means the same thing as the SOS signal in Morse code. It was precisely with it that the history of one of the most famous dance festivals began. In December 1991, in the German city of Dortmund, an action took place in support of the independent radio station DT64, which had found itself under threat of closure. Back then 5000 people responded to the call. The following spring Mayday was already held for an audience of 10000 people. Thus the "accidental" rave turned out to be the embodiment of the desires of thousands of people and became one of the largest dance events.

For more than a few decades one of the main festivals made more noise than natural disasters at various points on the planet. Since 2002 Mayday has periodically caused a commotion in Petersburg. This year was no exception, but everything went off a little more calmly. The megawatts of sound and megatons of stage constructions, which made the young visitors plunge headlong into carefree abandon in the arena of the "Yubileyny", gave way to cocktail gatherings in the comfortable space of the Manege of the Cadet Corps. There's nothing surprising here, everyone grows up. But the main participant of the festival, who has not missed a single Mayday Russia, Westbam, nonetheless remained unchanged. Besides him, the festival featured performances by Members of Mayday, Adam Beyer, Tiefschwarz, Moonbootica and Breakfastaz.

About the changing spirit of Mayday and the peculiarities of the geography of "raves", Westbam, known in the everyday world as Maximilian Lenz, told in a special interview for 44100hz.

44100hz: Mayday has a long history. How does the festival change?
Westbam:
Since 1991 Mayday has reflected everything that happens in the world of techno. That is why it has to change in order to remain the same as it was.
44100hz: The festival is held in many countries. Is there something special in each country?
Westbam:
There is a certain special spirit of Mayday, which can be felt in Germany, in Russia, Poland, Mexico or in any other place where it is held. In Russia the festival is held on the day of the end of the Second World War. To come here on precisely this day is a great honour for me, as a citizen of Germany. I know that many people don't think about this. I do think about it.
44100hz: What is it like to play in front of such a number of people? Can one get used to it?
Westbam:
Probably not. And here what matters is not even the number of people, but the energy, which gives you an enormous charge. And, of course, the more people, the more energy, the better.
44100hz: The traditional capitals of dance culture, such as Berlin, Amsterdam, London, are being replaced by others. Where can one find a "real rave" now?
Westbam:
The most interesting thing about this culture is that it is decentralised. I don't know how it is for you, but for me decentralisation is always a good thing. For me, in a single night a small town in Canada or in Russia can become the capital of dance music. Okinawa, Ufa, Odessa, Paderborn, Stoke-on-Trent can be dance capitals. Everyone is capable of making it happen. And I like that very much.
44100hz: Was there a performance after which you realised that you had already become different, not the same as at its beginning?
Westbam:
The way I play constantly changes something in me. And the way I change changes the way I play. Once in Japan I jumped off the stage and very badly injured my right leg. I finished the set standing on my left leg alone. I think that's the very case.

Similar